A sixth plate ambrotype depicting an unidentified young man posed in a studio setting, dressed in naval-style clothing. He wears a dark round sailor cap, a loose dark blouse or jumper, and a prominent bow at the neck, consistent with mid-19th-century maritime attire. The subject is shown seated, facing forward, with one hand resting on a support and the other positioned in his lap. The image is an ambrotype on glass, identifiable by its soft tonal range and clarity when viewed against a dark backing.
The sailor’s attire aligns with civilian or military nautical dress of the late 1850s to early 1860s. Such clothing was worn by naval personnel as well as merchant seamen, and similar styles were adopted by the United States Navy during the Civil War period. No insignia, rank markings, or printed identifiers are visible, so any military association remains speculative based solely on dress.
The ambrotype is housed in a full case with an oval brass mat featuring ornate scroll and geometric decoration. No photographer’s imprint, studio label, or handwritten identification is present within the case.
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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century