A sixth plate ambrotype showing an unidentified young boy seated in a studio interior, posed formally and facing the camera. He wears a light-colored shirt with gathered sleeves and a broad-brimmed straw hat. The boy holds a slender buggy whip upright in one hand, while his other hand rests on a small stack of books placed beside him. The image is an ambrotype, recognizable by its soft gray tonal range and presentation behind glass, and likely dates to the mid to late 1850s based on photographic format, clothing, and studio props.
The inclusion of both a buggy whip and books suggests a carefully constructed studio composition balancing symbols of rural or practical life with education or literacy. Buggy whips were common accessories in 19th-century studios, often used to convey maturity, responsibility, or familiarity with horse-drawn transport. Books similarly appear in period portraits as markers of learning or aspiration, particularly in images of children. The boy’s steady expression and upright posture reflect the formality expected during long exposure times.
The ambrotype is housed in a full case with a gilt brass mat featuring a scalloped window opening and decorative outer border. No photographer’s imprint, inscription, or identifying text is visible.
Available payment options
The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century