Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 224

Ambrotype View of Charlotteville Seminary Building, New York

Estimate: $200 - $300
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Sixth plate ambrotype depicting a full-frontal exterior view of the Charlotteville Seminary building, a large institutional structure set against a wooded hillside. The building’s long façade features a central cupola and symmetrical wings with regularly spaced windows, showing the scale and formal architecture of a mid-19th-century educational institution. The photographic process is ambrotype on glass, identified by the deep tonal range and surface depth characteristic of wet plate collodion, and the format is sixth plate, typical of mid-19th-century architectural views.

Charlotteville Seminary, located in the hamlet of Charlotteville in Schoharie County, New York, was an important Methodist-affiliated school founded in 1850 and continued through the 19th century. The building portrayed here was widely documented in period prints and engravings but was destroyed by fire in 1867, aligning the architectural style and ambrotype medium with a circa 1850s–1860s date of origin.

The image is housed behind an ornate gilt brass mat within its period case, preserving the original presentation. No photographer’s imprint or additional inscriptions are visible on the plate itself. This ambrotype is a compelling architectural record of a lost 19th-century American institution, offering both documentary value and visual presence typical of early architectural photography.

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