Eddie Cantor is shown in full blackface minstrel makeup and performance costume in this large gelatin silver promotional print by White Studio, New York, circa 1917 to 1925, signed in ink on the image surface "To Robert / Best Wishes / Eddie Cantor." The photograph is of a type documented in the Library of Congress holdings and consistent with promotional prints distributed during Cantor's peak Broadway and vaudeville years. The White Studio photographer's credit appears at lower left on the image, and the studio's stamp is visible on the reverse.

Cantor stands with both hands on his hips in a wide-legged pose, facing the camera with an exaggerated wide-eyed expression; he wears a satin suit jacket with white french cuffs, a white dress shirt, and a loosened bow tie. The blackface makeup features the characteristic wide white mouth outline associated with minstrel performance of the period.

Known as "Banjo Eyes" for his expressive wide-set gaze and "The Apostle of Pep" for his energized physical style, Cantor was among the most prominent practitioners of the blackface minstrel tradition in American entertainment, achieving stardom across vaudeville, Broadway including the Ziegfeld Follies, film, and radio across a career of nearly four decades.