Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 317

Men with Handwritten Signs, Cabinet Card Albumen Print, Iowa

Estimate: $200 - $300
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Cabinet card albumen print depicting six young men posed in a studio interior, arranged in seated and standing positions, several holding handwritten placards with humorous or plaintive messages including “When the teachers come again,” “Call them back again,” and “Why do we look so sad.” The photograph was produced by Dabb, a photographer active in Le Mars, Iowa, with the studio location printed on the mount as Union Block. The format and imprint place the image in the late 19th century.

The image appears to document a staged comic or social tableau, likely connected to a school, academy, or local social group, using handwritten signs as narrative devices. Such sign-based studio portraits were occasionally used for humor, satire, or commemorative purposes, allowing sitters to communicate commentary or group identity directly to the viewer. The coordinated composition and deliberate text suggest a planned photograph rather than a casual novelty.

Albumen print mounted on a decorative cabinet card with Dabb’s ornate studio verso. A rare example of late 19th-century vernacular studio photography incorporating handwritten signage as an expressive element, offering insight into regional humor, group dynamics, and informal visual communication in small-town America.

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