American quarter plate daguerreotype portrait of a mature gentleman shown in a commanding three-quarter profile, an intentionally dramatic pose that emphasizes facial structure, bearing, and social presence. The sitter’s upright posture, refined features, and formal dress suggest upper-class or professional status, reinforced by the confident, unsentimental expression typical of mid-19th-century elite portraiture. The lighting is controlled and directional, producing strong modeling across the face and a sculptural sense of depth that is particularly effective in profile compositions.
Housed in its original full leather case with embossed grape and foliate motifs, retaining the original gilt brass mat and preserver. The image surface shows scattered light abrasions and age-appropriate handling marks, consistent with a well-preserved daguerreotype of this period. The case exhibits expected edge wear and softening to the leather, with hinges intact and closure functional.
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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century