Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 207

Daguerreotype Portrait of Woman by G. Bartholomew, Ithaca

Estimate: $200 - $300
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Daguerreotype portrait of an unidentified woman, seated and facing the camera, wearing a dark dress with a white collar, lace cuffs, and a long pendant necklace. The image is a Sixth Plate daguerreotype, housed in a period hinged case with a gilt mat and velvet pad. A printed paper label along the lower edge of the mat reads “BY G. BARTHOLOMEW, ITHACA,” clearly identifying the photographer and location. The photographic process is daguerreotype on a silvered copper plate, consistent with mid-19th century studio portrait practice.

The credited photographer, G. Bartholomew, also known as Charles G. Bartholomew or Professor Bartholomew, was active as a daguerreian in Ithaca, New York from 1849 to 1854, before relocating to Auburn, New York, where he worked through at least 1860. The presence of the Ithaca imprint places the production of this portrait within his Ithaca period. The formal pose, restrained expression, and plain studio background align with professional daguerreian portrait conventions of the early 1850s.

The daguerreotype is presented in its original case with decorative gilt mat and embossed velvet interior. The photographer’s printed imprint is visible beneath the image window. No handwritten identification is present on the plate or case.

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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century