Michael Lehr Antiques
Live Auction

June 2026 Vernacular Photo History Auction

Wed, Jun 24, 2026 11:00AM EDT
  2026-06-24 11:00:00 2026-06-24 11:00:00 America/New_York Michael Lehr Michael Lehr : June 2026 Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/june-2026-vernacular-photo-history-auction-23574
Our June 2026 auction presents a focused and exceptional selection of historical photographs spanning the 1840s through the early twentieth century, with unusual depth in named subjects, rare formats, and documented provenance anchored by strong vernacular material that rewards close looking.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 206

CDV, Thos. Taylor's Gallery Exterior, Photographer's Studio, Penn

Estimate: $200 - $400
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $5,000
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000

A three-story Italianate brick commercial building serves as the subject of this albumen CDV, self-documented by the studio it depicts. The imprint text printed below the image reads "Thos. Taylor, Photographer," and the building's roofline carries the painted signage "Thos. Taylor's Gallery." The Gallery was located in Pottstown, Pennsylvania. The format and plain reverse suggest a date in the 1870s to early 1880s.<BR><BR>The ground floor storefront features an ornate paneled center door flanked by display windows filled with mounted photographs, a small sandwich board at left bearing the photographer's name, and a framed portrait displayed prominently in the right window. Upper floors show paired arched windows with Moorish-style hood moldings across two stories, a decorative bracketed cornice at the roofline, and a curved ironwork balcony rail between the first and second floors.<BR><BR>Photography studios commonly used CDV-format exterior views as promotional pieces, distributing them to clients as advertisements for the gallery. The visible display windows packed with portrait specimens were a standard marketing convention of the period, intended to draw street traffic and demonstrate the studio's range of work.<BR><BR>The reverse is blank with no photographer's imprint or inscription.

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