Michael Lehr Antiques
Live Auction

June 2026 Vernacular Photo History Auction

Wed, Jun 24, 2026 11:00AM EDT
  2026-06-24 11:00:00 2026-06-24 11:00:00 America/New_York Michael Lehr Michael Lehr : June 2026 Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/june-2026-vernacular-photo-history-auction-23574
Our June 2026 auction presents a focused and exceptional selection of historical photographs spanning the 1840s through the early twentieth century, with unusual depth in named subjects, rare formats, and documented provenance anchored by strong vernacular material that rewards close looking.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 199

Cabinet Card, Photo Studio Exterior, Kinney, Salem NY

Estimate: $100 - $200
Starting Bid
$50

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $5,000
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
A photography studio storefront in Salem, New York, is documented in this cabinet card by Kinney, Salem, N.Y., whose imprint appears in embossed lettering along the right border of the mount, dating to the 1880s or 1890s. The image is almost certainly a self-promotional view made by the studio operator, capturing his own place of business as both a document of the establishment and an advertisement of its existence, a practice occasionally employed by small-town photographers of the period.

A clapboard commercial building displays a painted sign reading "Photographs" above its entrance, with display boards of portrait samples visible in the windows flanking the open door. A horse-drawn flatbed wagon stands in front of the building along the unpaved dirt road, with a figure seated in the wagon bed and a man in a flat-brimmed hat and vest standing at the wagon's rear with one hand on the sideboard. Two large trees frame the scene, and a white picket fence and neighboring structures are visible at right.

Exterior views of small-town photographic studios are uncommon survivals in the cabinet card format, as most photographers directed their cameras inward at their subjects rather than outward at their own premises. This example is additionally notable for the legible studio signage, the display of sample portraits in the windows, and the presence of the wagon and figures, which animate what might otherwise be a purely architectural record.

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