Michael Lehr Antiques
Live Auction

September 2026 Vernacular Photo History Auction

Sat, Sep 19, 2026 11:00AM EDT
  2026-09-19 11:00:00 2026-09-19 11:00:00 America/New_York Michael Lehr Michael Lehr : September 2026 Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/september-2026-vernacular-photo-history-auction-24380
Our September 2026 auction is anchored by two remarkable private collections, together making up about half the sale, alongside a broader selection of consignments spanning early photography, Civil War material, and vernacular imagery. The Soffer Collection, built with an eye for rarity and historical significance, is particularly strong in vernacular portraiture, Native American photographs, and Iowa Civil War imagery. The Palmer, Massachusetts collection, much of it found at Brimfield, centers on maker-marked daguerreotypes from the golden age of the American daguerreian studio.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 166

Cabinet Card, Nez Perce Black Eagle by Bowman, Pendleton Oregon

Estimate: $200 - $300
Starting Bid
$100

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
A seated portrait of Nez Perce Black Eagle fills this cabinet card, photographed by Bowman of Pendleton, Oregon, likely in the 1880s or 1890s when the studio was active serving the communities of northeastern Oregon, a region home to the Confederated Tribes of the Umatilla Indian Reservation including the Cayuse, Umatilla, and Walla Walla peoples.

Black Eagle wears a fringed hide garment layered with multiple strands of beads and shell ornaments at the neck, and holds a rifle across the lap with both hands. A whole animal pelt, likely coyote or fox, rests beside the figure on the right, and a long strand of trade beads trails to the floor at left. Hair is worn long and gathered upward at the crown, and the painted studio backdrop depicts a landscape with trees.

Pendleton, Oregon served as a commercial and cultural hub adjacent to the Umatilla Reservation, and portrait studios there regularly documented tribal members, producing images that now constitute an important visual record of the region's Indigenous communities. The reverse bears a penciled notation reading "625" in the upper right corner.

From the collection of James Lee Soffer

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