Michael Lehr Antiques
Live Auction

Fall Photographic History Auction, 2025

Sat, Sep 6, 2025 01:00PM EDT
  2025-09-06 13:00:00 2025-09-06 13:00:00 America/New_York Michael Lehr Michael Lehr : Fall Photographic History Auction, 2025 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/fall-photographic-history-auction-2025-20189
We are pleased to announce our next auction, featuring approximately 200 individual lots drawn from a diverse and compelling range of 19th- and early 20th-century photography. This sale focuses on vernacular images, photographs created not as formal studio portraits or elite commissions, but as direct, unscripted records of lived experience. These are objects made by and for everyday people, preserving moments of intimacy, labor, travel, performance, identity, and loss.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 325

White Man Runs Him, Apsaroke Scout – Photogravure by Edward S. Curtis

Estimate: $200 - $300
Starting Bid
$100

Bid Increments

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Presented is a striking original 1908 photogravure by Edward S. Curtis from The North American Indian, depicting White Man Runs Him, a distinguished scout of the Apsaroke (Crow) tribe. The subject stands isolated against the expansive plains, his figure illuminated by the harsh, clear light of the high country, casting a long shadow behind him. His traditional attire, including a feathered headdress and bead-adorned shirt, testifies to both status and cultural continuity, while the warrior’s introspective gaze and upright stance convey a calm defiance and resolute pride.

White Man Runs Him played a key role as one of General George Custer’s Crow scouts during the 1876 campaign that culminated in the Battle of the Little Bighorn. Curtis photographed him decades later, preserving not only his likeness but his legacy at a pivotal moment when the memory of the frontier was already receding. Printed on tissue-weight Japon vellum and copyrighted in 1908, this image remains one of the most iconic from Curtis’s monumental ethnographic project and one of the most widely reproduced among his portraits. An evocative and historic plate from Volume IV of The North American Indian that encapsulates both the beauty and burden of representation.

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