Michael Lehr Antiques
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May Vernacular Photo History Auction

Wed, May 6, 2026 11:00AM EDT
  2026-05-06 11:00:00 2026-05-06 11:00:00 America/New_York Michael Lehr Michael Lehr : May Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/may-vernacular-photo-history-auction-22757
Michael Lehr Antiques info@michaellehrantiques.com
Lot 158

Tintype Chinese Man Holding Photographer's Sign, Milwaukee

Estimate: $400 - $600
Starting Bid
$200

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,500
CDV size tintype showing a Chinese man standing in a studio interior holding a large sign advertising tintype photography. The sign reads “TO DAY TINTYPES 4 FOR 25¢ REED ST. NEAR NTH. AVE. Opposite S.S. Post Office” (South Side Post Office).The image was made as a reversed studio exposure typical of tintypes and likely produced as a display or advertising piece for a Milwaukee photographer working near Reed Street and North Avenue. The sitter wears a cap and long work coat and holds the sign mounted on a wooden staff.

The painted studio backdrop includes a balustrade terrace scene with palm foliage and an ornamental iron stand supporting a potted plant. A wooden bench and patterned studio floor covering are visible in the foreground. The lettering style and advertised price reflect inexpensive street studio photography of the late nineteenth century, when tintypes were commonly sold in small multiples. The reference to Reed Street near North Avenue and the South Side Post Office corresponds to a documented Milwaukee commercial district active in the 1880s and 1890s.

Chinese residents formed a very small but established community in Milwaukee during this period. Federal census records counted approximately 30 Chinese residents in Milwaukee County in 1880 and roughly 50 by 1890, most working in service trades such as laundries and small commercial enterprises. Photographs of Chinese individuals in Midwestern studio contexts from this period are uncommon, particularly occupational or advertising images connected directly to photographic businesses.

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