Michael Lehr Antiques
Live Auction

September 2026 Vernacular Photo History Auction

Sat, Sep 19, 2026 11:00AM EDT
  2026-09-19 11:00:00 2026-09-19 11:00:00 America/New_York Michael Lehr Michael Lehr : September 2026 Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/september-2026-vernacular-photo-history-auction-24380
Our September 2026 auction is anchored by two remarkable private collections, together making up about half the sale, alongside a broader selection of consignments spanning early photography, Civil War material, and vernacular imagery. The Soffer Collection, built with an eye for rarity and historical significance, is particularly strong in vernacular portraiture, Native American photographs, and Iowa Civil War imagery. The Palmer, Massachusetts collection, much of it found at Brimfield, centers on maker-marked daguerreotypes from the golden age of the American daguerreian studio.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 478

Sixth Plate Daguerreotype, Young Girl, Jeremiah Gurney NYC

Estimate: $300 - $500
Starting Bid
$150

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
A young girl stands in three-quarter length pose before the camera of Jeremiah Gurney, one of nineteenth-century New York City's most celebrated daguerreians. The image is a sixth plate daguerreotype, housed in a period leather case with a rope-pattern gilt mat, and dates most likely to Gurney's tenure at 349 Broadway, placing it between 1852 and 1860.

The child wears an off-the-shoulder dress with lace-trimmed sleeves and an embroidered flounced skirt, her right arm resting on a turned-leg studio side table. Long ringlet curls frame her face, and a small oval pendant hangs at her neckline. White stockings and black strap shoes are visible below the hem, and she holds a small white object, possibly a handkerchief, loosely in her left hand.

Jeremiah Gurney (1812-?) began his photographic career at 189 Broadway in the early 1840s and rose to prominence through repeated prize wins at the American Institute Fair and an 1851 exhibition at the Crystal Palace in London. His 349 Broadway gallery, acquired in 1852 from the Whitehurst interests, became his primary studio and one of the most fashionable portrait establishments in antebellum New York.

Property of a Palmer, Massachusetts gentleman.

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