Michael Lehr Antiques
Live Auction

September 2026 Vernacular Photo History Auction

Sat, Sep 19, 2026 11:00AM EDT
  2026-09-19 11:00:00 2026-09-19 11:00:00 America/New_York Michael Lehr Michael Lehr : September 2026 Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/september-2026-vernacular-photo-history-auction-24380
Our September 2026 auction is anchored by two remarkable private collections, together making up about half the sale, alongside a broader selection of consignments spanning early photography, Civil War material, and vernacular imagery. The Soffer Collection, built with an eye for rarity and historical significance, is particularly strong in vernacular portraiture, Native American photographs, and Iowa Civil War imagery. The Palmer, Massachusetts collection, much of it found at Brimfield, centers on maker-marked daguerreotypes from the golden age of the American daguerreian studio.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 391

Sixth Plate Daguerreotype, Father and Child, Post-Mortem

Estimate: $300 - $500
Starting Bid
$150

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
A bearded man holds a child in this sixth plate daguerreotype, a portrait that reads immediately as a post-mortem record. The child's head rests heavily against the man's chest with eyes partially open and unfocused, the body limp and supported entirely by the man's arm. The man gazes directly into the camera with a composed, deliberate expression. No photographer's imprint is visible, and the image dates to the 1850s based on the man's dress and the case construction.

The man wears a dark frock coat over a light waistcoat, a white shirt with upright collar, and a large bow tie. The child is dressed in a plaid frock with a white lace collar and a row of small buttons down the front, hands loosely clasped at the waist.

Post-mortem photography was a common and accepted practice in the mid-nineteenth century, serving as the only portrait many families would have of a deceased child. The photographer's effort to pose the child upright against the father rather than recumbent reflects a convention intended to suggest peaceful rest rather than death.

The image is housed in a leather case with an embossed floral and scrollwork cover and salmon-colored silk pad interior. No markings, inscriptions, or photographer's imprint are present on the case or mat.

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