Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 279

Signed William F. “Buffalo Bill” Cody, Paris Cabinet Card by Eugène Pirou

Estimate: $700 - $900
Current Bid
$350

Bid Increments

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$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Albumen cabinet photograph depicting William F. “Buffalo Bill” Cody in right-facing profile, taken in Paris by the prominent photographer Eugène Pirou at 23, Rue Royale. Cody is shown wearing a broad-brimmed hat, long hair worn loose at the back, and a fringed jacket over an open shirt, a look closely associated with his public persona during his European appearances in the late 1880s. The photograph is almost certainly connected to Cody’s time in Paris surrounding the Exposition Universelle of 1889, when Pirou photographed numerous international celebrities.

The mount bears Pirou’s elaborate printed back advertising his Paris studio, including references to medals and the 1889 exposition, firmly dating the card to the late 19th century. At the lower margin of the mount is an ink inscription reading “W. F. Cody / Buffalo Bill,” overlapping the studio imprint. The inscriptions are best regarded as an attribution rather than a verified autograph; the handwriting, placement, and context do not allow either of the signatures to be confidently certified as an authentic hand-signed example by Cody himself.

A visually compelling and historically resonant Paris-period portrait of Buffalo Bill, offered with the signature described accurately as attributed rather than authenticated.

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