Michael Lehr Antiques
Live Auction

Spring Photographic History Auction

Sat, May 3, 2025 01:00PM EDT
  2025-05-03 13:00:00 2025-05-03 13:00:00 America/New_York Michael Lehr Michael Lehr : Spring Photographic History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/spring-photographic-history-auction-19217
Raw, rare, and unforgettable—this is 19th- and early 20th-century photography at its best. Vernacular portraits, Native American warriors, African American resilience, Mormon pioneers, Western frontier families, and stark post-mortem scenes. Daguerreotypes, ambrotypes, tintypes, CDVs, and cabinet cards that capture real life without filters. Every image tells a story of survival, pride, and change. A museum-worthy collection for those who know real American history when they see it.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 313

Santa Clara Indians – Cabinet Portrait by Nast, Denver

Estimate: $100 - $200
Starting Bid
$50

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Large-format mounted photograph of Santa Clara Pueblo Indians, taken by Charles A. Nast of Denver, Colorado, circa late 19th century. The image measures 6¼" x 8½" on a 11" x 14" cream-colored studio mount, boldly titled in red: "SANTA CLARA INDIANS." The portrait features a multi-generational group of Pueblo men, women, and children posed in a studio setting with traditional regalia, feathered headdresses, shields, and drums, offering a rare and dignified full-length visual record of Southwestern Native dress and identity from this period.

Though posed for commercial purposes, the group is presented with strong compositional balance and attention to ceremonial detail. The photograph offers insight into transitional dress—featuring both traditional Pueblo garments and Anglo-influenced accessories—and captures expressions of cultural pride and endurance in the face of encroaching assimilation policies.

The reverse bears the faded commercial backstamp of H.W. Wyman, Colorado Springs, a dealer in Indian curios, Navajo blankets, Mexican pottery, and ethnographic goods. Such crossover marketing highlights the dual function of these photographs—as documentation and as tourist-oriented collectibles during the height of the American West’s commercial exploitation.

Images of Santa Clara Pueblo members from this era, especially in such a complete and large-scale studio format, are scarce. An important photograph for collectors of early Southwestern Native American portraiture, ethnographic photography, and the visual legacy of the Pueblo peoples.

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