Michael Lehr Antiques
Live Auction

September 2026 Vernacular Photo History Auction

Sat, Sep 19, 2026 11:00AM EDT
  2026-09-19 11:00:00 2026-09-19 11:00:00 America/New_York Michael Lehr Michael Lehr : September 2026 Vernacular Photo History Auction https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/september-2026-vernacular-photo-history-auction-24380
Our September 2026 auction is anchored by two remarkable private collections, together making up about half the sale, alongside a broader selection of consignments spanning early photography, Civil War material, and vernacular imagery. The Soffer Collection, built with an eye for rarity and historical significance, is particularly strong in vernacular portraiture, Native American photographs, and Iowa Civil War imagery. The Palmer, Massachusetts collection, much of it found at Brimfield, centers on maker-marked daguerreotypes from the golden age of the American daguerreian studio.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 612

RPPC, "Burying the Dead," Mass Trench Burial, Mexican Revolution

Estimate: $50 - $100
Starting Bid
$25

Bid Increments

Price Bid Increment
$0 $5
$100 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
$50,000 $5,000
A harrowing real photo postcard documents a mass trench burial, almost certainly connected to the Mexican Revolution of the 1910s. Rows of casualties in civilian and military dress lie side by side in a long earthen trench while workers fill in from above, several figures visible at the rim of the excavation in the middle distance. The divided-back postcard format and the style of the reverse printing are consistent with the 1907 to 1915 era, when hundreds of commercial and amateur photographers recorded imagery during the Mexican Revolution and printed photographs on postcard stock, marketing them to soldiers and civilians on both sides of the international border.

The foreground fills nearly the full image plane with the densely packed figures, clothed in a mixture of loose-woven shirts, dark trousers, and wrapped garments, laid in alternating orientations to maximize space in the trench. At least a dozen individual figures are distinguishable, some partially covered, others fully exposed. In the background, horse-drawn wagons and a scattering of additional onlookers are visible against a flat, arid landscape with low structures on the horizon.

Images from this period include Mexican federal and revolutionary soldiers as well as individuals documented across a range of wartime circumstances, and burial scenes of this scale were among the most unflinching subjects recorded by photographers covering the conflict. The stark, documentary character of the image, combined with its postcard format, reflects the broader practice of circulating atrocity imagery as a form of news and eyewitness testimony during the Revolution.

The caption "Burying the Dead." is printed in white script across the lower portion of the image face. The reverse carries a standard divided-back layout with "POST CARD," a "PLACE STAMP HERE" box, and printed fields for correspondence and address, with no publisher's imprint, no postmark, and no written correspondence.

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