Powerful studio quarter plate tintype of two Plains Indian men, likely Lakota (Sioux) or Cheyenne, dressed in formal tribal regalia and posed against a backdrop with ornate studio furnishings. Both men wear numerous long strand necklaces—likely made from glass or bone beads—along with heavily decorated shirts and leggings. Beaded moccasins are clearly visible on both figures, and one man wears a bear claw necklace, a powerful symbol of strength and status among Plains cultures.
The man at left holds a tall feathered staff adorned with ribbons, a possible sign of ceremonial or military significance, and also carries a slouch hat in his left hand. His companion wears a tall fur hat with feather plumes and stands draped in a bold, striped trade blanket. On his right hip, a scalp lock or feathered ornament appears to hang from his belt. Both men wear arm bands and metal accoutrements around their wrists and upper arms.
The clarity of the image and the richness of the regalia captured suggest a date in the late 1870s to early 1880s, a period when many Native leaders were brought into photographic studios either in Washington, or on tour while traveling with Indian delegations or Wild West performances. An arresting and culturally rich image, offering detail rarely preserved in Plains portraiture of this size and format.
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