Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 245

Occupational Tintype, Cigar Roller at Work

Estimate: $100 - $200
Current Bid
$50

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Carte de visite–size tintype depicting a seated man actively rolling cigars at a small work table. He is shown mid-process, surrounded by stacks of tobacco leaves and cigar blanks, with tools and materials arranged directly in front of him. The subject wears a vest and shirt sleeves, and the setting appears to be a studio environment with a painted backdrop featuring foliage and rocks, a common theatrical backdrop adapted here to document an occupation. The image is a tintype mounted to CDV format, likely dating to the late 1870s to 1890s based on dress, occupational depiction, and format.

Occupational images of cigar rollers are comparatively uncommon, as most tintypes document finished portraits rather than active labor. The detailed presentation of tools, raw tobacco, and partially finished cigars reflects the importance of skilled handwork in cigar production before full mechanization, particularly in urban and immigrant labor contexts.

The tintype plate shows clipped corners and is affixed to a standard CDV mount. No photographer’s imprint or studio identification is visible on the mount. The image surface shows typical wear and handling marks associated with tintypes of this period.

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