Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 232

Ninth Plate Ambrotype of a Seated Violinist

Estimate: $100 - $200
Starting Bid
$50

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
This ninth plate ambrotype depicts a seated male violinist posed mid-performance, holding the instrument under his chin with the bow drawn across the strings. The violin is clearly rendered, with visible f-holes, bridge, and tuning pegs, and the bow is held correctly in the right hand, suggesting genuine familiarity rather than a studio prop hastily placed for effect. Musical occupational portraits of this clarity are uncommon in ambrotypes, particularly at this scale.

The sitter wears a dark jacket over a waistcoat with a neatly tied bow tie, paired with patterned trousers. His hair is carefully dressed and parted, and his expression is serious and concentrated, consistent with mid-19th-century portrait conventions but especially appropriate for a professional musician. The pose is deliberate and balanced, with the violin angled outward to maximize visibility of the instrument, indicating the photographer’s awareness of the subject’s identity and intent.

The image is housed in a scalloped gilt brass mat with strong original toning and subtle oxidation, framing the plate attractively. The ambrotype itself shows scattered surface marks and light abrasions consistent with age, but retains strong contrast and legibility. Overall, this is a compelling occupational portrait documenting 19th-century musical practice, combining technical clarity, intentional posing, and a subject rarely encountered in ambrotype form.

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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century