Uncommonly encountered and historically rich, this quarter plate stereoscopic daguerreotype presents a striking paired portrait of a solemn young man—seemingly duplicated in pose but with slight variation in facial expression—encased in a fine Mascher viewer. The images are clean and exhibit very good contrast and clarity, though the left plate has a vertical wipe and some tarnish at the edges. Both portraits are professionally executed and retain excellent visual strength despite minor age-related imperfections.

The daguerreotypes are marked by the studio of White, whose name appears stamped beneath both plates—a desirable attribution among collectors of early photographic works. Housed in a fine Mascher-style viewer case with twin thermoplastic covers, each with its own ornate symbolism. The front cover features the “Altar of Liberty” motif with an open Bible and verse from Matthew 6:9, while the rear is molded in the elegant "Allegorical Scene" pattern featuring musical cherubs flanking a central lyre. Both covers are in excellent condition, showing only minimal edge wear and a tight clasp.

Stereoscopic daguerreotypes like this were produced in very limited quantities and remain among the most enigmatic artifacts from the early history of photography. Whether intended as a form of early memorial or an experiment in 3D portraiture, this haunting dual likeness invites contemplation and stands as a museum-worthy piece in both photographic and spiritual resonance.