Sixth plate daguerreotype studio portrait of a young woman seated beside a table, posed in three-quarter view and looking directly toward the camera. The image is a daguerreotype on a silvered copper plate, housed in a hinged case, and dates to the mid-19th century based on the photographic format, hairstyle, and dress. The sitter wears a patterned dress with extensive applied hand tinting, including carefully worked color in the fabric and subtle flesh tones to the face and hands. No photographer’s imprint is visible.
The portrait reflects the widespread mid-century practice of enhancing daguerreotypes with applied color to heighten realism and visual appeal. The floral-patterned dress and restrained pose are consistent with studio portrait conventions of the 1840s to early 1850s, when tinting was used to emphasize textiles, accessories, and complexion while maintaining the tonal clarity of the photographic image.
The image is presented in a full case with a gold-toned mat and red velvet pad opposite. The mat features a beveled octagonal opening, and the case exterior is embossed with a decorative scroll motif. No handwritten identification or inscriptions are present on the case or plate.
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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century