Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
Lot 210

Daguerreotype Portrait of Young Blonde Girl

Estimate: $100 - $200

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Sixth plate daguerreotype studio portrait of a young blonde girl, seated and facing the camera with a direct, composed expression. She wears a dark dress with a wide neckline and short sleeves, her light hair parted at the center and styled with ribbons at the sides. The image is housed behind glass with a scalloped gilt brass mat, typical of mid-19th century daguerreian presentation. The photographic process is daguerreotype on a silvered copper plate, likely dating to the early to mid 1850s based on dress, hairstyle, and mat style.

The portrait reflects conventional studio practice for child sitters of the period, emphasizing formality and stillness. The plain backdrop and chair support focus attention on the sitter’s face and posture rather than narrative setting.

The daguerreotype is presented in a hinged, embossed leather case with a red velvet interior pad on the opposing side. No photographer’s imprint or identifying text is visible on the mat, plate, or case.

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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century