Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
Lot 200

Daguerreotype Portrait of Man with Concertina

Estimate: $200 - $300

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Sixth plate daguerreotype studio portrait of an unidentified man seated beside a small table, holding a concertina. The subject wears a dark jacket with a light shirt and cravat, and is posed in a formal mid-19th-century studio setting. The image is housed in a hinged case with a gilt mat and red velvet lining. The photographic process is daguerreotype, and the portrait likely dates to the 1850s based on clothing, hairstyle, and presentation.

The concertina is clearly visible and prominently displayed, suggesting an interest in music or amateur performance, a common studio trope of the period. The table covering and carefully arranged pose reflect standard studio practices intended to convey refinement and accomplishment rather than a documented profession.

The daguerreotype is presented in a period leather-covered case with decorative tooling on the exterior. No photographer’s imprint or identifying text is visible on the mat or case, and no handwritten inscriptions are present.

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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century