Daguerreotype portrait of an unidentified seated couple, housed in a hinged case, with two small albumen photographs of the same individuals at an older age affixed within the presentation. The primary image is a daguerreotype, sixth plate in size, showing the couple posed side by side in formal mid-19th-century attire against a plain studio background. No photographer’s imprint or identifying text is visible on the plate or case.
The inclusion of the later albumen photographs, likely dating to the late 19th century based on format and tonal qualities, establishes a clear chronological relationship between the images. Together, they document the same sitters across decades, reflecting a common family practice of preserving and pairing earlier daguerreotypes with later paper photographs as photographic technology evolved.
The daguerreotype is set behind a gilt mat within a leather-covered case. The interior includes the original velvet pad, and the additional albumen photographs are mounted within the case interior. No handwritten names, dates, or locations are present.
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The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century