Albumen carte de visite depicting the celebrated Columbus Clock, an elaborate ornamental timepiece associated with the American Centennial era. The photograph shows the clock in full frontal elevation, emphasizing its monumental, architectural design: a central dial flanked by classical towers, sculptural figures, and allegorical elements, all arranged around a complex calendar and seasonal indicator dial. The lower register displays astronomical and calendrical information, including references to solstices and equinoxes, underscoring the clock’s function as both a timekeeper and a didactic scientific object.
An oval portrait vignette of a mustachioed gentleman appears in the upper right, likely the designer, maker, or promoter of the clock, a common practice in exhibition-era photographic documentation. The image is carefully composed to present the clock as a triumph of American ingenuity and craftsmanship, consistent with the visual language used to record notable inventions and exhibition pieces during the 1870s.
The reverse bears the imprint of C. Calender, photographer, No. 23 South Limestone Street, Springfield, Ohio, firmly situating the card within the Midwest’s photographic trade. A handwritten inscription at the bottom of the mount identifies the subject as “Columbus Clock.” Overall tonality is warm, with light surface wear and minor handling marks consistent with age; the image remains clear and well-defined.
A scarce and visually striking carte de visite documenting a significant piece of 19th-century American horological and exhibition history, appealing to collectors of industrial design, clocks, Centennial material, and invention-related photography.
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