An exceptional occupational CDV-sized tintype of an African American man posed in a studio, holding a specialized hand tool and what appears to be a curved iron or shaping form, likely used in leatherworking or shoemaking. The subject stands in full-length view against a plain studio backdrop, dressed in a well-fitted suit, waistcoat, and bowler hat, with his cheeks subtly tinted by the photographer.

The object in his hand, a large iron implement with multiple holes and a broad curved surface, suggests a trade requiring precision shaping or pressing, possibly saddle or boot making. The tintype’s stark composition and direct gaze create an arresting portrait, and the presence of the rare tool adds a layer of documentary specificity to this image.

Occupational portraits of African American tradesmen are extremely scarce in the tintype era, especially in CDV format and with clear props identifying the subject’s work. This is a vivid, dignified representation of 19th-century skilled labor and a seldom-seen piece of American photographic and social history.