Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 126

CDV Rosa, Charley, and Rebecca, Enslaved Children from New Orleans

Estimate: $300 - $500
Current Bid
$150

Bid Increments

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$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000
Carte de visite photograph depicting three African American children identified in the printed caption as “Rosa, Charley, Rebecca, Slave Children from New Orleans.” The children are posed full length in a studio setting, seated and standing closely together, wrapped in large patterned shawls or blankets that envelop their figures. The photograph is an albumen print on a standard CDV mount with a green double-line border. The identification and title are printed directly beneath the image, anchoring the subjects and location without ambiguity.

This image belongs to a well-documented group of Civil War era photographs produced for abolitionist and philanthropic purposes following the Union occupation of New Orleans. Such images were intended to confront pro-slavery ideology by presenting enslaved or formerly enslaved children in composed, dignified poses, emphasizing their humanity and vulnerability. The careful staging and formal presentation align with contemporary efforts to influence Northern public opinion through visual culture.

The verso is fully printed and numbered “No. 9,” with a copyright statement entered in 1864 by S. T. Tacksberry in the Clerk’s Office of the District Court of the United States for the Southern District of New York. It includes a printed declaration that the net proceeds from the sale of the photographs were to be devoted to the education of colored people in the Department of the Gulf under the command of Major General Banks. The photographer is credited as Chas. Paxson, New York, with ordering information directing correspondence to H. N. Bent, 1 Mercer Street, New York.

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