A full-length studio portrait of an unidentified Native American man rendered as an albumen CDV, likely dating to the 1870s based on the mount style and rounded corners. The subject stands before a painted studio backdrop with a draped curtain at left and an ornate paneled door surround at right, a common arrangement among frontier-era commercial photographers. No photographer's imprint appears on the reverse.

The man wears a plaid trade cloth shirt beneath a beaded bandolier bag with geometric diamond motifs and long fringe, and heavily beaded leggings or moccasin boots reaching the knee with floral and curvilinear beadwork patterns. A fringed sash hangs at his waist, and he holds what appears to be a fur-wrapped object or pipe in both hands. His headdress consists of a wrapped cloth turban from which two upright feathers extend.

The beaded bandolier bag and beaded leggings are of a style associated with Great Lakes or Eastern Woodlands nations, suggesting either an Ojibwe or related tribal affiliation, though no inscription or label confirms the subject's identity or nation. The reverse is blank with no photographer's imprint visible.