Three Communard women of the Paris Commune stand together in a group portrait recorded as a carte-de-visite by an unidentified photographer working at 40 rue Condorcet, Paris, in the early 1870s. The figure at left is Marie Ferré, sister of prominent Communard Théophile Ferré; center is Louise Michel; and at right, Paule Mink. The albumen print is mounted on a red-bordered card stock consistent with the format and production conventions of the period.

All three subjects lean or rest their hands on a painted studio balustrade, with a backdrop depicting ferns, foliage, and an arched architectural element behind them. Marie Ferré, at left, wears a dark fitted bodice with a white lace jabot and small bow at the throat, her dark hair worn short and wavy. Louise Michel, at center, is dressed in a dark jacket with a broad fur or velvet collar and a large ribbon bow at the chest. Paule Mink, at right, wears a light-colored striped bodice fastened with a vertical row of small buttons and a wide ribbon at the collar, her dark hair braided or coiled and pinned close to the head, one hand resting near a potted plant at the balustrade's edge.

Louise Michel (1830–1905) was a French anarchist and socialist activist who took part in the Commune in 1871. Paule Mink (born Adèle Paulina Mekarska; 1839–1901) was a French feminist and socialist revolutionary of Polish descent who participated in the Paris Commune and in the First International. Théophile Ferré (1845–1871) was a member of the Paris Commune who was captured, tried by a military court, shot at Satory, and was the first of twenty-five Commune members to be executed for his role in the uprising.

Reverse bears the printed studio imprint "Rue Condorcet 40, Paris" in red ink with a decorative sunburst device, the printed text "Cliché N°" and "Tous les clichés sont conservés" (meaning "All negatives are retained") in the margins, and an ink inscription in a later hand reading "Ferré, Louise Michel, Pte Minck" ("Ferré, Louise Michel, Pte. Minck").