Edmond Mégy, born Léon Guillaume Edmond Mégy, was a Blanquist militant under the Second Empire and a member of the Paris Commune. This carte de visite portrait, produced by E. Appert at 24, Rue Taitbout, Paris, captures Mégy in a standing three-quarter pose against a plain studio ground. The image on the recto carries an ink inscription identifying the sitter as "M. Dugerry," a misreading corrected by a subsequent hand on the verso, which supplies his full name, dates, and association with the Paris Commune.

Mégy wears a long dark frock coat open over a buttoned waistcoat, with a white clerical-style collar tab at the throat. His hair is full and curled, his gaze directed slightly upward and away from the camera, and he holds a broad-brimmed hat loosely at his side with his left hand. His posture is relaxed and upright, conveying the bearing of a man accustomed to public life.

A communard and exiled Blanquist, Mégy had worked as a mechanic at Châlons, on the Suez Canal construction sites, and as a stoker on the Paris-Lyon railway before becoming a political militant. E. Appert was best known for his documentation of the Paris Commune of 1871 and specialized as a portraitist of political figures of all persuasions.

The verso bears the printed imprint of E. Appert, "Peintre Photographe," 24, Rue Taitbout, Paris, styled as "Photographe du Corps Législatif" and "Photographe de la Magistrature," with silver medal dates of 1853, 1855, 1859, and 1867. Inscribed in pencil on the verso: "Megy / Leon Guillaume Megy (1841–1884) / Paris Commune." Also penciled at the bottom: "3/21/07," "LOFGEZ," and "Eb."