Michael Lehr Antiques
Live Auction

Winter Photographic History Auction 2026

Sat, Jan 31, 2026 01:00PM EST
  2026-01-31 13:00:00 2026-01-31 13:00:00 America/New_York Michael Lehr Michael Lehr : Winter Photographic History Auction 2026 https://auction.michaellehrantiques.com/auctions/michael-lehr-antiques/winter-photographic-history-auction-2026-21839
We are pleased to present our Winter Photography Auction, opening January 31 at 1:00 PM Eastern, featuring approximately 270 individual lots spanning the full breadth of 19th- and early 20th-century photography. The sale brings together landmark historical images, rare early photographic processes, and a deep selection of vernacular material created outside the conventions of formal studio portraiture. Collectively, these works offer a direct, unfiltered record of American life, identity, conflict, labor, and memory during photography’s formative century.
Michael Lehr Antiques info@michaellehrantiques.com
Lot 283

Boudoir card San Diego CA., Sign Painting

Estimate: $100 - $200
Starting Bid
$50

Bid Increments

Price Bid Increment
$0 $10
$200 $25
$500 $50
$1,000 $100
$2,000 $250
$5,000 $500
$10,000 $1,000
$20,000 $2,000

This cabinet card presents an outdoor street view showing a wooden building in Old San Diego, photographed in the boudoir card format and mounted on standard card stock. The image depicts a rustic structure with multiple hand-painted signs visible on the facade, including signage reading “Marriage Place Ramona” and “Sign Painting,” which appears directly on the wall of the building. The scene is documentary in character rather than a posed studio view, suggesting a commercial or street photographer working on location. The photographic process is consistent with albumen printing typical of cabinet and boudoir cards of the late 19th century.

The photograph documents vernacular signage and small-scale commercial activity, capturing the visual culture of Old San Diego during a period when hand-painted signs were a primary means of advertising local services. The prominence of the painted lettering and the straightforward frontal composition indicate that the signage itself was a key subject of the view, rather than incidental background detail.

The image is mounted on a boudoir-sized cabinet card mount. No photographer’s imprint is visible on the front, and no additional printed text or handwriting is visible on the verso in the provided image.

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