Ambrotype plate tintype studio portrait of a young man posed standing beside a small table draped with a patterned cloth. He wears a distinctive Zouave uniform consisting of a short open jacket with decorative trim, a fitted vest, loose trousers, and a fez-style cap. His stance is formal, with one hand resting on the table, and the plain studio backdrop emphasizes the uniform rather than any setting. The image is housed in a period hinged case with a gilt brass mat; no photographer’s imprint is visible.
Zouaves were military units inspired by French North African light infantry, first adopted in the United States in the 1850s and widely popular during the Civil War. Their uniforms, characterized by exotic styling, bright colors in life, and non-standard military dress, were intended to convey elite status and martial flair. Zouave units existed in both Union and Confederate forces, and similar uniforms were also worn by militia and postwar drill companies, making the image representative of mid-19th-century military fashion rather than a specific regiment.
The ambrotype remains presented in its original case with an embossed leather exterior and a decorative gilt mat with a scalloped opening. No inscriptions, names, or identifying text are present.
Available payment options
The Elsa Schaar Collection is a large, intact assemblage of early American photographic portraiture dating circa 1839–1870, formed primarily between the 1920s and 1950s by collector and antiques dealer Elsa Schaar Beugler Haase (1894–1976). The collection comprises 453 photographic works, including 258 daguerreotypes and ambrotypes in a wide range of original cases, 139 tintypes, 56 carte-de-visite photographs, and several Civil War–era and tintype albums. Elsa Schaar, based largely in Elmira, New York, actively bought, sold, and corresponded with collectors nationwide, often through ads in Hobbies (later Antiques & Collecting Magazine), developing a focused interest in early portrait photography. Following her death, the collection passed intact to her brother, architect William R. Schaar, and is now being offered by his descendants, preserving a clear and well-documented line of descent spanning more than a century